Sophie Calle's method of creation borrows certain aspects from the practice of hunting. Thus, she became known by practicing "tracking" anonymous people she met in the street. Changing roles, she has also taken on that of the prey and entrusted a private detective with the task of following her actions. The pursuit of love, another variant of the manhunt, runs through her work like a red thread, prolonged here by dating ads, the source of inspiration for two new works.

On Sophie Calle's path, we also find animals, sometimes intimate companions, sometimes fantastical creatures. Naturalized animals even occupy an essential place in her life. She attributes to them a function of representation, establishing an emotional connection with the world of her loved ones. The stuffed menagerie that populates her universe comes to inhabit the rooms of the Musée de la Chasse et de la Nature for the duration of the exhibition.

Making the museum her "territory", she inserts her own works and thus incites the visitor to a new apprehension, inviting him to track down in the decorative profusion of the rooms what belongs to his intimate experience.

The artist Serena Carone has been invited by Sophie Calle to dialogue with her within the exhibition and will present several objects from her artistic bestiary. Her work constitutes a sort of cabinet of curiosities born of experimentation and the work of the most diverse materials. At the antipodes of Sophie Calle's conceptual approach, Serena Carone proposes a world that is both marvelous and disturbing and poses a singular look at the living world and its relationship to death.