The artist is not at his first skull-shaped mold. Decorative symbolic forms from the blows of Souffleenheim emphasize festivals and calendar traditions. The feast of the dead was so far orphaned about culinary mussels. The Alsatian origins of the artist, added to the invitation launched by the wind of forests, art center in rural areas (Meuse), remedies it by allowing this iconoclastic edition to see the light of day. Created by Erik Nussbicker, artisanal filiation is provided by the pottery G. Wehrling & Girl: Peggy Wehrling.